Tuesday 23 June 2015

Cyfaredd 13: Thor's Cave

Haia Pawb

Before I get to the main topic of this post, I should clarify something. A few readers have said that, because my last post described an activity in Wales, they thought I was still there. I’m not. I returned home to Melbourne on 30 May. However, because I was travelling around England, Wales and Scotland during the last four weeks of my trip, I didn’t have the time to write up my experiences. This I plan to do over the few weeks, so I can have a complete record of the trip.

The day I left Corris, I travelled to Manchester to spend a few days with my friend Grevel Lindop. During my last trip to the UK, I meet Grevel in person at a conference in Oxford, though we had been in contact by email some years before when he had accepted a poem of mine for Temenos Academy Review. As I mentioned in my blog about Alan Garner, when I told Grevel about my dark ages project, he invited me to stay at his place so he could take me to Alderley Edge and show me sites associated with a Merlin legend there. We had a fantastic time exploring the Edge and also Lud’s Church, and enjoyed discussing our common interest in the sacred sites of indigenous Britain.  With this 2015 trip I organised to spend more time with him, so we could continue such explorations.

The day after my arrival, Grevel drove me to the Manifold Valley of the White Peak in Staffordshire to visit a Karst cave known as Thor’s Cave. The cave is situated in a steep limestone crag and 19th and 20th centuries excavations in it and the adjacent Thor’s Fissure Cavern have found human and animal remains, stone tools, pottery, amber beads, and bronze items. These findings suggest usage from the Late Paleolithic through the Iron Age and Roman periods.

The weather varied during the day, from heavy showers in Manchester to occasional drops of rain, mild squalls and brilliant sunshine, as we spent a delightful hour or so walking along the Manifold Way, which is the site of a disused railway line that used to travel from Hulme End (our starting point) past the cave to Waterhouses in the south.

We pressed ahead along the bitumen track past rook roosts, through choruses of wrens, thrushes and robins; past unseen blackbirds with their chink-chink alarm calls; past fields of sheep and inquisitive lambs that almost came up to us at the fence; past a manor house with fancy outdoor extensions of windowed terraces and with horses in its pastures; past buttresses of limestone; past fields, old stone barns and outhouses; past steep slopes of greening trees. Much of the path follows the Manifold River, which was high and muddy, the colour of coffee, with wind and river noise roaring yet indistinguishable.

The Manifold Way
Rook roost
Limestone buttress
Then we reached the cave, which is high up on a crag around which jackdaws chased insects, often diving into and through the cave itself, using a small opening at the side of the hill. We climbed the muddy, slippery stone track and came to the massive opening, with a stone ledge at its lip overlooking the Manifold Valley. And directly opposite, near a little refreshment place further down the valley, was another, much smaller, line-of-sight cave.

Thor's Cave, from The Manifold Way
Graphic with details about the cave
View of the Manifold Valley from inside the cave entrance
Photo of me in the entrance (taken by Grevel),
showing size of opening and the vista beyond
A rock wall inside the entrance of Thor's Cave
Though Thor’s Cave has vantage and security (see the Alan Garner talk about his discussion of Professor Jay Appleton’s prospect-refuge theory of aesthetics), it apparently wasn’t used for habitation, as no signs of food remains or ash from cooking fires has ever been found. The cave itself is huge, with caverns branching off one another and opening deeper into the hill. Even though other visitors had defiled the place with beer bottles, food wrappers and a fire or two, the further I went into the cave complex, the more sacred it felt. In one cavern, I turned around to see Thor himself in the shadows, shape and texture of a rock wall.
View from top of crag,
showing line-of-site cave down the valley
Another view of the Manifold Valley, from the top of the crag
After lunch on the ledge outside the cave, we climbed to the top of the crag for views of the valley and surrounds and then headed back to the car park, with a stop at the line-of-site cave. Many of the wildflower photos in an earlier blog posting were taken during this return walk.

Approaching the line-of-site cave
Inside the cave
We drove back to Manchester and had a delicious meal at Sanam Sweethouse and Restaurant on the ‘Mile of Curry’, a restaurant that Grevel and his wife, Amanda, used to visit 40 years earlier. Over nightcaps of Scotch and Welsh whisky we discussed plans for our next day’s visits to more sacred sites. More about this in my next posting.

Till then.

Cofion cynnes (Warm wishes)
Earl

Thursday 4 June 2015

Cyfaredd 12: Castell Henllys

Haia Pawb

One of the reasons I travelled to Britain in 2013 was to conduct research for my dark ages novel. I had a few sites in mind, which I then visited (or not, as explained in my post about Dinas Emrys). However, after my return to Australia I discovered more places I would like to visit, if I ever had the chance to come back.

The residency at Stiwdio Maelor came when I least expected such an opportunity and in the last week of my time there I picked up a hire car for the research phase of my trip. My posts about Cader Idris and Dinas Emrys describe two early research outings, but on the actual day I picked up the car I decided to visit Castell Henllys ('castle of the old court'), a reconstructed Iron Age village built on the site of an ancient village.

For my novel I plan to set a number of scenes in roundhouses, situated in various parts of the island, so I welcomed the chance to visit roundhouses built in the traditional way. Castell Henllys has four, plus a granary that is built off the ground, unlike the others. All of them have been reconstructed on their original foundations, with the upright poles that support the roof of each roundhouse having been placed into the original post holes. The size of each roundhouse has been gauged from the remains of drainage ditches.

One thing I noticed was the different levels of finish between what was termed the Chieftain’s Hut and the other roundhouses. This difference in finish was evident both in the interior, with the varied quality of paintings and lime wash around the wattle and daub walls, and the exterior, with the thatching around the doorway cut higher on the Chieftain's Hut so that those entering didn’t have to bend.

Below are videos and photos of aspects of the village I may use in the novel:
Video of the roundhouses and surroundings.
The 'Chieftain's Hut'.
Note the high thatching above the entrance.
Interior of the 'Chieftain's Hut'.
Typical Iron Age loom. 
Polished bronze cauldron. Sunlight coming through the doorway
(which is in the east) would make the cauldron glow like gold
to impress visitors to the 'Chieftain's Hut'.
Range of reproduction swords and scabbard.
Hilt of reproduction ceremonial sword.
Saddle quern, used to grind corn*. Bone analysis shows females
suffering from arthritis in hands, knees and back, possibly from
long hours spent using such querns in a bent over position.
Rotary quern, a more efficient way
of grinding corn.
Raised hearth in the 'Cook House'.
Typical wooden bowls.
Video of interior of a roundhouse used for meetings.
Up to 80 warriors could assemble in here. 
Chieftain's Chair in the Meeting Hut.
Forge in the smithy's roundhouse.
Note the double hand bellows on the right.
Small iron anvil embedded in a log.
Wooden container of charcoal used for the forge.
(My foot being there is not a mistake, but is used for scale.)

The granary. Being off the ground allows
air to circulate and keep grain dry.

Wood lathe. 
Bread oven.
Interior of another round housing, showing central hearth,
loom and box beds against the far wall. Note the iron cauldron,
obviously not used for showing off status.
Although I have done and continue to do much book research, such visits produce practical insights into lifestyle and setting that I am sure will provide authentic 'telling details' for my novel. 

For those following my jackdaws 'saga', here's another instalment:
'Is this seat taken?'
By the way, my friend Ali Ni Dhorchaidhe, whom I met at the 2009 W B Yeats Summer School and who has studied Irish and Scots Gaelic, tells me the Irish Gaelic for jackdaw is cág, pronounced ‘cawg’, the word being like the sound they make.

Till next time.

Cofion cynnes (Warm wishes)
Earl

PS. Corn in this case means wheat and other cereal crops, not maize, which is called corn by Americans and Canadians and wasn't introduced into Britain till after Columbus returned from the Americas.